(p.20) A ________ is always your best weapon against the wobbles.

(p.20) Misdirected camera ________ is one of the most common mistakes and a tough concept to get a handle on.

(p.21) In the absence of true support, with a little practice you can teach your ________ to act like a tripod

(p.21) Whenever possible, dig your ________ into your sides or abdomen for added stability.

(p.22) In potentially bumpy situations, use the ________ lens angle that the situation will allow.

(p.23) A ________ is a side-to-side camera move.

(p.23) A ________ is an up-and-down camera move.

(p.23) With ________ shots the camcorder and the shooter both are physically moving with the action.

(p.23) When you move the camcorder toward or away from your subject, it is considered to be a ________ shot.

(p.24) A ________ shot is a more dramatic move from side to side, also in which the camcorder and the shooter are moving, like standing sideways on a skateboard.

(p.25) The type of shot where the camera seems to effortlessly move up and down over cars, bushes and fences is called a “pedestal” or ________ shot

(p.25) When you’re zoomed all the way ________, it’s almost impossible to keep a steady image while holding the camcorder.